The Digital Archive of Irish Literature and History

Field Day Anthology Book ImageProject Description: The broad ambition of this project is to enrich and advance scholarly study and research practice relating to Ireland's literature and history, as well as examine the impact of exploring Ireland's past and textual legacy differently as a result of digital evolutions within Irish studies. At its core is the digitization of The Field Day Anthology of Irish Writing (5 vols.) in collaboration with JSTOR. The project builds on the JSTOR Ireland Collection, which has already made available and searchable online an interdisciplinary and international collection of journals and other scholarly resources which have a significant focus on Ireland. The project is further aligned with an ongoing initiative to digitise significant archival holdings relating to Irish women's literature. Anne is working on both these projects in collaboration with Queen's University Belfast (UK), University of Ulster (UK), Royal Irish Academy (Ireland), and JSTOR (US).

On publication in 1991, the first three volumes of the Field Day Anthology were considered a 'land-mark event in twentieth-century literature' and were praised for their wealth and diversity. The volumes, however, also ignited controversy over the paucity of women writers and texts that had been included and, as a consequence, the final two volumes on women's writing were published in 2002. The full set of volumes now comprise one of the most diverse and significant anthologies of Irish writing in print and continue to challenge and deepen our understanding of Irish literature, history, and canonicity. Significantly, the interrogation of the first three volumes has also created a virtual space of dialogue between the earlier and later volumes.

The anthology's digital reincarnation will better enable these conversations and will, potentially, reveal new configurations of both the anthology's source materials, and the critical narratives that surround them. Such configurations will make this material amenable to new interrelations and analysis not possible in print-bound form. The contents of the anthology will also be visibly exposed to scholarly criticism across a broad spectrum of current and historical Irish studies research and resources collected within the JSTOR Ireland database. Cross-referencing between volumes will take on a whole new dimension and will push hitherto understudied writers and texts into fresh critical territory that is continually being updated.

This kind of radical online circulation has particular ramifications for volumes 4 and 5 and the recovery processes of feminist literary historiography by disrupting the conventional linear alignment of women's history and literature. The multiple and fractured elements of historical narrative which many critics view as necessary to an inclusive feminist history, as well as the removal of the material structures which often exclude women's writing, are enhanced by the digitisation of women's texts, histories, and archives. As such, the project is also affiliated with the creation of a digital archive of two major nineteenth-century Irish women writers, Edith Somerville (1858-1949) and Martin Ross (1862-1914).(opens in a new window) This archival mode of digital retrieval work moves forward the ambitions of feminist historiographers, and the concomitant analysis of the transformation from print to digital format, opens up new discourses for thinking about digital technologies and their increasingly meaningful relationship with feminist, gender, and women's studies within the humanities.

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Profile: Anne Jamison is a feminist literary and cultural critic with a research focus on eighteenth- and nineteenth-century British and Irish literature. She is currently finalising a monograph for Cork University Press based on the Irish literary collaboration of Edith Somerville (1858-1949) and Martin Ross (1862-1914). She has also published more broadly on Irish writing, including research on Alicia Lefanu, Kate O'Brien, and James Clarence Mangan, as well as on the intersections between law, literature, and authorship in the early Victorian period. In relation to the digital projects on which she is currently working, Anne is currently preparing an article for a special issue of Women's History Review which examines the 'digital turn' in women's studies in Ireland.

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