Professor Roger Dean

Professor Roger Dean

PROFESSOR OF SONIC COMMUNICATION,
MARCS Institute for Brain, Behaviour & Development

Biography

I am researcher and a composer/improviser. My early research was in molecular cell biology, and since 1989 I have also been involved in musicology, particularly with reference to improvisation. Since 2007 my research focus has turned to music cognition,  and music computation (both analytic and generative). I also have extensive experience as an institution-builder, being a CEO for 18 years, first of the Heart Research Institute, Sydney (an autonomous body of which I was foundation director), and then of the University of Canberra, of which I was Vice-Chancellor and President. I founded the creative ensemble LYSIS in the UK, and it continues as austraLYSIS here in Australia. Our work is concerned with the creation of sound, text and intermedia work, and it operates internationally. My brief biography is available on Wikipedia, and see austraLYSIS for fuller information about my creative work.

This information has been contributed by Professor Dean.

Qualifications

  • DLitt Brunel University England
  • DSc Brunel University England
  • MA University of Cambridge (UK)
  • BA University of Cambridge (UK)
  • PhD University of Cambridge (UK)

Interests

  • Computational Creativity
  • Improvisation
  • Music Cognition
  • Musical affect

Organisational Unit (School / Division)

  • MARCS Institute for Brain, Behaviour & Development

Contact

Email: Roger.Dean@westernsydney.edu.au
Phone: (02) 9772 6902
Mobile:
Location: 1.G.130
Bankstown
Website:

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Publications

Books

  • Dean, R. (2009), 'The Oxford Handbook of Computer Music', : Oxford University Press 9780195331615.
  • Smith, H. and Dean, R. (2009), 'Practice-led Research, Research-led practice in the Creative Arts', : Edinburgh University Press 9780748636297.
  • Dean, R. (2005), 'Sounds from the Corner: Australian Contemporary Jazz on CD since 1973', : Australian Music Centre 0909168598.
  • Dean, R. (2003), 'Hyperimprovisation : Computer Interactive Sound Improvisation Computer Music and Digital Audio Series', : A-R Editions 0895795086.
  • Smith, H. and Dean, R. (1997), 'Improvisation, Hypermedia and the Arts Since 1945', : Harwood Academic 9783718658787.

Chapters in Books

  • McLean, A. and Dean, R. (2018), 'Musical algorithms as tools, languages, and partners : a perspective', The Oxford Handbook of Algorithmic Music, Oxford University Press 9780190226992.
  • McLean, A. and Dean, R. (2018), 'Algorithmic trajectories', The Oxford Handbook of Algorithmic Music, Oxford University Press 9780190226992.
  • Dean, R. (2017), 'Creating music : composition', Routledge Companion to Music Cognition, Routledge 9781138721050.
  • Stevens, C., Dean, R., Vincs, K. and Schubert, E. (2014), 'In the heat of the moment : audience real-time response to music and dance performance', Coughing and Clapping: Investigating Audience Experience, Ashgate 9781409469810.
  • Dean, R. (2014), 'Computer music', Music in the Social and Behavioral Sciences: An Encyclopedia, Sage 9781452283036.
  • Dean, R., Byron, T. and Bailes, F. (2010), 'Les pulsations de la symetrie: une possible co-evolution rythmique de la musique et de la danse?', Musique et Evolution, Mardaga 9782804700232.
  • Dean, R. (2009), 'Envisaging Improvisation in Future Computer Music', The Oxford Handbook of Computer Music, Oxford University Press 9780195331615.
  • Sagiv, N., Dean, R. and Bailes, F. (2009), 'Algorithmic Synesthesia', The Oxford Handbook of Computer Music, Oxford University Press 9780195331615.
  • Bailes, F. and Dean, R. (2009), 'Empirical Studies of Computer Sound', The Oxford Handbook of Computer Music, Oxford University Press 9780195331615.
  • Smith, H. and Dean, R. (2009), 'Practice-led Research, Research-led Practice - Towards the Iterative Cyclic Web', Practice-led Research, Research-led Practice in the Creative Arts, Edinburgh University Press 9780748636297.
  • Dean, R., Bailes, F. and Brennan, D. (2009), 'Microtonality, the octave, and novel tunings for affective music', Music of the Spirit: Asian-Pacific Musical Identity, Australian Music Centre 9780909168650.
  • Dean, R. (2009), 'The Many Futures of Computer Music', The Oxford Handbook of Computer Music, Oxford University Press 9780195331615.
  • Wilkie, S., Stevens, C. and Dean, R. (2008), 'Psychoacoustic manipulation of the sound induced illusory flash', Computer Music Modeling and Retrieval. Sense of Sounds, Springer 9783540850342.
  • Dean, R., Bailes, F. and Brennan, D. (2008), 'Microtonality, the octave, and novel tunings for affective music', Music of the Spirit: Asian-Pacific Musical Identity, Australian Music Centre 9780909168650.
  • Bailes, F., Smith, H. and Dean, R. (2007), 'Hearing and Imaging Place in Sound: a Program to interrelate the Cognitive, Cultural and Creative', Hearing Places: Sound, Place, Time and Culture, Cambridge Publishing 1847182550.
  • Dean, R., Dunlop, R., Hume, P. and Rodgers, K. (2003), 'Proteolytic 'defences' and the accumulation of oxidized polypeptides in cataractogenesis and atherogenesis', Biochemical Society Symposium on Proteases in Health and Disease, Biochemical Society .
  • Morin, B., Fu, S., Wang, H., Davies, M. and Dean, R. (2002), 'Analysis of aliphatic amino acid hydroxides in oxidised proteins', Oxidative Stress Biomarkers and Antioxidant Protocols, The Humana Press .

Journal Articles

  • Herff, S., Olsen, K. and Dean, R. (2018), 'Resilient memory for melodies : the number of intervening melodies does not influence novel melody recognition', Quarterly Journal of Experimental Psychology, vol 71, no 5 , pp 1150 - 1171.
  • Herff, S., Olsen, K., Dean, R. and Prince, J. (2018), 'Memory for melodies in unfamiliar tuning systems : investigating effects of recency and number of intervening items', Quarterly Journal of Experimental Psychology, vol 71, no 6 , pp 1367 - 1381.
  • Leung, Y. and Dean, R. (2018), '[In Press] Learning a well-formed microtonal scale : pitch intervals and event frequencies', Journal of New Music Research, .
  • Leung, Y. and Dean, R. (2018), 'The difficulty of learning microtonal tunings rapidly : the influence of pitch intervals and structural familiarity', Psychomusicology: Music, Mind, and Brain, vol 28, no 1 , pp 50 - 63.
  • Dean, R. (2017), 'Generative live music-making using autoregressive time series models : melodies and beats', Journal of Creative Music Systems, vol 1, no 2 .
  • Milne, A. and Dean, R. (2016), 'Computational creation and morphing of multi-level rhythms by control of evenness', Computer Music Journal, vol 40, no 1 , pp 35 - 53.
  • Dean, R. and Dunsmuir, W. (2016), 'Dangers and uses of cross-correlation in analyzing time series in perception, performance, movement, and neuroscience : the importance of constructing transfer function autoregressive models', Behavior Research Methods, vol 48, no 2 , pp 783 - 802.
  • Dean, R. and Bailes, F. (2016), 'Relationships between generated musical structure, performers' physiological arousal and listener perceptions in solo piano improvisation', Journal of New Music Research, vol 45, no 4 , pp 361 - 374.
  • Olsen, K. and Dean, R. (2016), 'Does perceived exertion influence perceived affect in response to music? : investigating the 'FEELA' hypothesis', Psychomusicology: Music, Mind, and Brain, vol 26, no 3 , pp 257 - 269.
  • Dean, R. and Bailes, F. (2016), 'Modeling perceptions of valence in diverse music : roles of acoustic features, agency, and individual variation', Music Perception, vol 34, no 1 , pp 104 - 117.
  • Olsen, K., Dean, R. and Leung, Y. (2016), 'What constitutes a phrase in sound-based music? : a mixed-methods investigation of perception and acoustics', PLoS ONE, vol 11, no 12 .
  • Launay, J., Bailes, F. and Dean, R. (2016), 'Rapid learning of associations between sound and action through observed movement : a TMS study', Psychomusicology: Music, Mind, and Brain, vol 26, no 1 , pp 35 - 42.
  • Gingras, B., Pearce, M., Goodchild, M., Dean, R., Wiggins, G. and McAdams, S. (2016), 'Linking melodic expectation to expressive performance timing and perceived musical tension', Journal of Experimental Psychology: Human Perception and Performance, vol 42, no 4 , pp 594 - 609.
  • Dean, R. and Pearce, M. (2016), 'Algorithmically-generated corpora that use serial compositional principles can contribute to the modeling of sequential pitch structure in non-tonal music', Empirical Musicology Review, vol 11, no 1 , pp 27 - 46.
  • Dean, R. and Bailes, F. (2015), 'Using time series analysis to evaluate skin conductance during movement in piano improvisation', Psychology of Music, vol 43, no 1 , pp 3 - 23.
  • Olsen, K., Dean, R., Stevens, C. and Bailes, F. (2015), 'Both acoustic intensity and loudness contribute to time-series models of perceived affect in response to music', Psychomusicology: Music, Mind, and Brain, vol 25, no 2 , pp 124 - 137.
  • Brodie, M., Dean, R., Beijer, T., Canning, C., Smith, S., Menant, J. and Lord, S. (2015), 'Symmetry matched auditory cues improve gait steadiness in most people with Parkinson's disease but not in healthy older people', Journal of Parkinson's Disease, vol 5, no 1 , pp 105 - 116.
  • Bailes, F., Dean, R. and Broughton, M. (2015), 'How different are our perceptions of equal-tempered and microtonal intervals? : a behavioural and EEG survey', PLoS One, vol 10, no 8 .
  • Olsen, K., Stevens, C., Dean, R. and Bailes, F. (2014), 'Continuous loudness response to acoustic intensity dynamics in melodies : effects of melodic contour, tempo, and tonality', Acta Psychologica, vol 149 , pp 117 - 128.
  • Olsen, K., Dean, R. and Stevens, C. (2014), 'A continuous measure of musical engagement contributes to prediction of perceived arousal and valence', Psychomusicology: Music, Mind, and Brain, vol 24, no 2 , pp 147 - 156.
  • Dean, R. (2014), 'The serial collaborator : a meta-pianist for real-time tonal and non-tonal music generation', Leonardo, vol 47, no 3 , pp 260 - 261.
  • Dean, R. (2014), 'Low frequency spatialization in electro-acoustic music and performance : composition meets perception', Acoustics Australia, vol 42, no 2 , pp 102 - 110.
  • Launay, J., Dean, R. and Bailes, F. (2014), 'Evidence for multiple strategies in off-beat tapping with anisochronous stimuli', Psychological Research, vol 78, no 5 , pp 721 - 735.
  • Dean, R., Bailes, F. and Drummond, J. (2014), 'Generative structures in improvisation : computational segmentation of keyboard performances', Journal of New Music Research, vol 43, no 2 , pp 224 - 236.
  • Launay, J., Dean, R. and Bailes, F. (2014), 'Synchronising movements with the sounds of a virtual partner enhances partner likeability', Cognitive Processing, vol 15, no 4 , pp 491 - 501.
  • Dean, R. and Bailes, F. (2014), 'Influences of structure and agency on the perception of musical change', Psychomusicology: Music, Mind, and Brain, vol 24, no 1 , pp 103 - 108.
  • Bishop, L., Bailes, F. and Dean, R. (2014), 'Performing musical dynamics : how crucial are musical imagery and auditory feedback for expert and novice musicians?', Music Perception, vol 32, no 1 , pp 51 - 66.
  • Dean, R., Bailes, F. and Dunsmuir, W. (2014), 'Time series analysis of real-time music perception : approaches to the assessment of individual and expertise differences in perception of expressed affect', Journal of Mathematics and Music, vol 8, no 3 , pp 183 - 205.
  • Dean, R., Bailes, F. and Dunsmuir, W. (2014), 'Shared and distinct mechanisms of individual and expertise-group perception of expressed arousal in four works', Journal of Mathematics and Music, vol 8, no 3 , pp 207 - 223.
  • Launay, J., Dean, R. and Bailes, F. (2013), 'Synchronization can influence trust following virtual interaction', Experimental Psychology, vol 60, no 1 , pp 53 - 63.
  • Bishop, L., Bailes, F. and Dean, R. (2013), 'Musical expertise and the ability to imagine loudness', PLOS One, vol 8, no 2 .
  • Bailes, F., Dean, R. and Pearce, M. (2013), 'Music cognition as mental time travel', Scientific Reports, vol 3 , pp 2690 - 2690.
  • Dean, R., Olsen, K. and Bailes, F. (2013), 'Is there a 'rise-fall temporal archetype' of intensity in the music of Joseph Haydn? : the role of the performer', Music Performance Research, vol 6 , pp 39 - 67.
  • Bishop, L., Bailes, F. and Dean, R. (2013), 'Musical imagery and the planning of dynamics and articulation during performance', Music Perception, vol 31, no 2 , pp 97 - 117.
  • Bailes, F. and Dean, R. (2012), 'Comparative time series analysis of perceptual responses to electroacoustic music', Music Perception, vol 29, no 4 , pp 359 - 375.
  • Bailes, F., Bishop, L., Stevens, C. and Dean, R. (2012), 'Mental imagery for musical changes in loudness', Frontiers in Psychology, vol 3, no 525 .
  • Bailes, F. and Dean, R. (2011), 'The perceived affective expression of computer-manipulated sung sounds', Computer Music Journal, vol 35, no 1 , pp 90 - 104.
  • Dean, R., Bailes, F. and Schubert, E. (2011), 'Acoustic intensity causes perceived changes in arousal levels in music : an experimental investigation', PLoS ONE, vol 6, no 4 .
  • Dean, R. and Bailes, F. (2011), 'Modelling perception of structure and affect in music : spectral centroid and Wishart's Red Bird', Empirical Musicology Review, vol 6, no 2 , pp 131 - 137.
  • Ferguson, S., Schubert, E. and Dean, R. (2011), 'Continuous subjective loudness responses to reversals and inversions of a sound recording of an orchestral excerpt', Musicae Scientiae, vol 15, no 3 , pp 387 - 401.
  • Dean, R. and Bailes, F. (2010), 'A Rise-Fall Temporal Asymmetry of Intensity in Composed and Improvised Electroacoustic Music', Organised Sound, vol 15, no 2 , pp 147 - 158.
  • Dean, R. and Bailes, F. (2010), 'The control of acoustic intensity during jazz and free improvisation performance : possible transcultural implications for social discourse and community', Critical Studies in Improvisation, vol 6, no 2 , pp 1 - 22.
  • Dean, R. and Bailes, F. (2010), 'Time Series Analysis as a Method to Examine Acoustical Influences on Real-time Perception of Music', Empirical Musicology Review, vol 5, no 4 , pp 152 - 175.
  • Dean, R. (2009), 'Widening unequal tempered microtonal pitch space for metaphoric and cognitive purposes with new prime number scales', Leonardo, vol 42, no 1 , pp 94 - 95.
  • Bailes, F. and Dean, R. (2009), 'When is noise speech? : a survey in sonic ambiguity', Computer Music Journal, vol 33, no 1 , pp 57 - 67.
  • Bailes, F. and Dean, R. (2009), 'Listeners discern affective variation in computer-generated musical sounds', Perception, vol 38, no 9 , pp 1386 - 1404.
  • Dean, R., Byron, T. and Bailes, F. (2009), 'The pulse of symmetry: On the possible co-evolution of rhythm in music and dance', Musicae Scientiae, , pp 341 - 367.
  • Thompson, A., Dunlop, R., Dean, R. and Rodgers, K. (2009), 'Evidence that DOPA-derivatives are generated after L-DOPA incorporation into proteins by mammalian cells', Journal of Adhesion, vol 85, no 9 , pp 561 - 575.
  • Dean, R. and Bailes, F. (2008), 'Is theres a 'rise-fall temporal archetype' of intensity in electroacoustic music', Canadian Acoustics, vol 36, no 3 , pp 112 - 113.
  • Dunlop, R., Dean, R. and Rodgers, K. (2008), 'The impact of specific oxidized amino acids on protein turnover in J774 cells', Biochemical Journal, vol 410, no 1 , pp 131 - 140.
  • Bailes, F. and Dean, R. (2007), 'Listener Detection of Segmentation in Computer-Generated Sound: An Exploratory Experimental Study', Journal of New Music Research, vol 36, no 2 , pp 83 - 93.
  • Bailes, F. and Dean, R. (2007), 'A Response to Cross and Rohrmeier's 'Comments on Facilitation and coherence between the dynamic and retrospective perception of segmentation in computer-generated music'', Empirical Musicology Review, vol 2, no 4 , pp 149 - 151.
  • Bailes, F. and Dean, R. (2007), 'Facilitation and coherence between the dynamic and retrospective perception of segmentation in computer-generated music', Empirical Musicology Review, vol 2, no 3 , pp 74 - 80.
  • Dean, R. and Bailes, F. (2007), 'Human Understanding in imagining and organising sound: some implications of John Locke's Essay for ecological, cognitive and embodied approaches to composition', Organised Sound, vol 12, no 1 , pp 89 - 95.
  • Smith, H. and Dean, R. (2007), 'Voicescapes', Performance Research: a journal of the performing arts, vol 11, no 3 , pp 134 - 135.
  • Dean, R. (2007), 'New Introduction and reprint of 'Assembling. improvising. Rik Rue in conversation with Roger Dean'', Resonate, .
  • Dean, R. and Bailes, F. (2006), 'Toward a Sociobiology of Music', Music Perception, vol 24, no 1 , pp 83 - 84.
  • Dean, R. and Bailes, F. (2006), 'NoiseSpeech', Performance Research, vol 11, no 3 , pp 85 - 86.
  • Rodgers, K., Hume, P., Morris, J. and Dean, R. (2006), 'Evidence for L-dopa incorporation into cell proteins in patients treated with levodopa', Journal of Neurochemistry, vol 98, no 4 , pp 1061 - 1067.
  • Nelson, M., Foxwell, R., Tyrer, P. and Dean, R. (2006), 'Hypothesis-Review: Protein-bound DOPA, a redox-active product of protein oxidation, as a trigger for antioxidant defences', International Journal of Biochemistry and Cell Biology, .
  • Dean, R. (2006), 'Book Commentary: Playing Ad Lib: Improvisatory Music in Australia 1836-1970', Critical Studies in Improvisation, .
  • Smith, H. and Dean, R. (2006), 'Posthuman collaboration: multimedia, improvisation and computer mediation', M/C Journal, vol 9, no 2 .
  • Dean, R., Whitelaw, M., Smith, H. and Worrall, D. (2006), 'The Mirage of Real-Time Algorithmic Synaesthesia: Some Compositional Mechanisms and Research Agendas in Computer Music and Sonification', Contemporary Music Review, vol 25, no 4 , pp 311 - 326.
  • Brown, B., Dean, R. and Davies, M. (2005), 'Glycation of low-density lipoproteins by methylglyoxal and glycolaldehyde gives rise to the in vitro formation of lipid-laden cells', Diabetologia, vol 48, no 2 , pp 361 - 369.
  • Ozawa, K., Headlam, M., Mouradov, D., Watt, S., Beck, J., Rodgers, K., Dean, R., Huber, T., Otting, G. and Dixon, N. (2005), 'Translational incorporation of L-3,4-dihydroxyphenylalanine into proteins', FEBS Journal, vol 272, no 12 , pp 3162 - 3171.
  • Dean, R. (2005), 'NoiseSpeech, a Noise of Living Bodies: towards Attali's 'Composition'', NMEDIAC: the journal of new media & culture, vol 3 .
  • Dean, R. and Smith, H. (2005), 'The evolving technology of performance in the work of austraLYSIS, and the politics of co-operativity', Sounds Australian, vol 65 , pp 16 - 21.
  • Dean, R., Brewster, A. and Smith, H. (2004), 'soundAFFECTs', TEXT, vol 8,2 .
  • Rodgers, K., Hume, P., Dunlop, R. and Dean, R. (2004), 'Biosynthesis and turnover of DOPA-containing proteins by human cells', Free Radical Biology and Medicine, vol 37, no 11 , pp 1756 - 1764.
  • Morgan, P., Dean, R. and Davies, M. (2004), 'Protective mechanisms against peptide and protein peroxides generated by singlet oxygen', Free Radical Biology and Medicine, vol 36, no 4 , pp 484 - 496.
  • Kockx, M., Rye, K., Gaus, K., Quinn, C., Wright, J., Sloane, T., Sviridov, D., Fu, Y., Sullivan, D., Burnett, J., Rust, S., Assmann, G., Anantharamaiah, G., Palgunachari, M., Katz, S., Phillips, M., Dean, R., Jessup, W. and Kritharides, L. (2004), 'Apolipoprotein A-I-stimulated apolipoprotein E secretion from human macrophages is independent of cholesterol efflux', Journal of Biological Chemistry, vol 279, no 25 , pp 25966 - 25977.
  • Gaus, K., Kritharides, L., Schmitz, G., Boettcher, A., Drobnik, W., Langmann, T., Quinn, C., Death, A., Dean, R. and Jessup, W. (2004), 'Apolipoprotein A-1 interaction with plasma membrane lipid rafts controls cholesterol export from macrophages.', The FASEB journal : official publication of the Federation of American Societies for Experimental Biology, vol 18, no 3 , pp 574 - 576.
  • Dean, R. (2004), 'Anthology of Australian Music on Disc, Series V, from the Canberra School of Music, Australian National University', Sounds Australian, vol 63 , pp 54 - 55.
  • Dean, R. and Smith, H. (2004), 'Sonic Narratives: intermedia transformations in the work of austraLYSIS', Australasian Music Research, vol 8 , pp 91 - 106.
  • Hagerman, A., Dean, R. and Davies, M. (2003), 'Radical chemistry of epigallocatechin gallate and its relevance to protein damage', Archives of Biochemistry and Biophysics, vol 414, no 1 , pp 115 - 120.
  • Matuszek, M., Aristoteli, L., Bannon, P., Hendel, P., Hughes, C., Jessup, W., Dean, R. and Kritharides, L. (2003), 'Haptoglobin elutes from human atherosclerotic coronary arteries - A potential marker of arterial pathology', Atherosclerosis, vol 168, no 2 , pp 389 - 396.
  • Dean, R., Dunlop, R., Hume, P. and Rodgers, K. (2003), 'Proteolytic 'defences' and the accumulation of oxidized polypeptides in cataractogenesis and atherogenesis', Biochemical Society Symposium, , no 70 , pp 135 - 146.
  • Knott, H., Brown, B., Davies, M. and Dean, R. (2003), 'Glycation and glycoxidation of low-density lipoproteins by glucose and low-molecular mass aldehydes: Formation of modified and oxidized particles', European Journal of Biochemistry, vol 270, no 17 , pp 3572 - 3582.
  • Rodgers, K. and Dean, R. (2003), 'Assessment of proteasome activity in cell lysates and tissue homogenates using peptide substrates', International Journal of Biochemistry and Cell Biology, vol 35, no 5 , pp 716 - 727.
  • Liu, S., Cogny, A., Kockx, M., Dean, R., Gaus, K., Jessup, W. and Kritharides, L. (2003), 'Cyclodextrins differentially mobilize free and esterified cholesterol from primary human foam cell macrophages', Journal of Lipid Research, vol 44, no 6 , pp 1156 - 1166.
  • Smith, H. and Dean, R. (2003), 'Voicescapes and Sonic Structures in the Creation of Sound Technodrama', Performance Research, vol 8, no 1 , pp 112 - 123.
  • Upston, J., Niu, X., Brown, A., Mashima, R., Wang, H., Senthilmohan, R., Kettle, A., Dean, R. and Stocker, R. (2002), 'Disease stage-dependent accumulation of lipid and protein oxidation products in human atherosclerosis', American Journal of Pathology, vol 160, no 2 , pp 701 - 710.
  • Morgan, P., Dean, R. and Davies, M. (2002), 'Inactivation of cellular enzymes by carbonyls and protein-bound glycation/glycoxidation products', Archives of Biochemistry and Biophysics, vol 403, no 2 , pp 259 - 269.
  • Knott, H., Baoutina, A., Davies, M. and Dean, R. (2002), 'Comparative time-courses of copper-ion-mediated protein and lipid oxidation in low-density lipoprotein', Archives of Biochemistry and Biophysics, vol 400, no 2 , pp 223 - 232.
  • Luxford, C., Dean, R. and Davies, M. (2002), 'Induction of DNA damage by oxidised amino acids and proteins', Biogerontology, vol 3, no 1-Feb , pp 95 - 102.
  • Hazell, L., Fu, H., Dean, R., Stocker, R. and Truscott, R. (2002), 'Is hypochlorous acid (HOCI) involved in age-related nuclear cataract?', Clinical and Experimental Optometry, vol 85, no 2 , pp 97 - 100.
  • Morgan, P., Dean, R. and Davies, M. (2002), 'Inhibition of glyceraldehyde-3-phosphate dehydrogenase by peptide and protein peroxides generated by singlet oxygen attack', European Journal of Biochemistry, vol 269, no 7 , pp 1916 - 1925.
  • Rodgers, K., Wang, H. and Dean, R. (2002), 'Biosynthetic incorporation of oxidized amino acids into proteins and their cellular proteolysis', Free Radical Biology and Medicine, vol 32, no 8 , pp 766 - 775.
  • Morin, B., Fu, S., Wang, H., Davies, M. and Dean, R. (2002), 'Analysis of aliphatic amino acid alcohols in oxidized proteins.', Methods in molecular biology (Clifton, N.J.), vol 186 , pp 101 - 110.
  • Gebicki, S., Gill, K., Dean, R. and Gebicki, J. (2002), 'Action of peroxidases on protein hydroperoxides', Redox Report, vol 7, no 4 , pp 235 - 242.
  • Pattison, D., Dean, R. and Davies, M. (2002), 'Oxidation of DNA, proteins and lipids by DOPA, protein-bound DOPA, and related catechol(amine)s', Toxicology, vol 177, no 1 , pp 23 - 37.
  • Dean, R. (2002), 'Creative arts, creative research and the politics of new media', Communication, Politics & Culture, vol 35, no 3 , pp 10 - 22.
  • Smith, H. and Dean, R. (2002), 'The Egg The Cart The Horse The Chicken: cyberwriting, sound, intermedia', Interactive Multimedia Electronic Journal of Computer-Enhanced Learning, vol 4, no 1 .
  • Gaus, K., Dean, R., Kritharides, L. and Jessup, W. (2001), 'Inhibition of cholesterol efflux by 7-ketocholesterol: Comparison between cells, plasma membrane vesicles, and liposomes as cholesterol donors', Biochemistry, vol 40, no 43 , pp 13002 - 13014.
  • Gaus, K., Gooding, J., Dean, R., Kritharides, L. and Jessup, W. (2001), 'A kinetic model to evaluate cholesterol efflux from THP-1 macrophages to apolipoprotein A-1', Biochemistry, vol 40, no 31 , pp 9363 - 9373.
  • Linton, S., Davies, M. and Dean, R. (2001), 'Protein oxidation and ageing', Experimental Gerontology, vol 36, no 9 , pp 1503 - 1518.
  • Baoutina, A., Dean, R. and Jessup, W. (2001), 'Trans-plasma membrane electron transport induces macrophage-mediated low density lipoprotein oxidation.', The FASEB journal : official publication of the Federation of American Societies for Experimental Biology, vol 15, no 9 , pp 1580 - 1582.

Conference Papers

  • Milne, A., Herff, S., Bulger, D., Sethares, W. and Dean, R. (2016), 'XronoMorph : algorithmic generation of perfectly balanced and well-formed rhythms', International Conference on New Interfaces for Musical Expression, Brisbane, Qld..
  • Dean, R. (2013), 'Demonstration : a meta-pianist serial music comproviser', International Conference on Computational Creativity, Sydney, N.S.W..
  • Wilkie, S., Stevens, C. and Dean, R. (2008), 'Psychoacoustic manipulation of the sound-induced illusory flash', Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), .
  • Worrall, D., Bylstra, M. and Dean, R. (2007), 'SoniPy: the design of an extendable software framework for sonification research and auditory display', 13th International Conference on Auditory Display, Montreal.
  • Bailes, F. and Dean, R. (2006), 'Comparing real-time and retrospective perceptions of segmentation in computer-generated music', 9th International Conference on Music Perception and Cognition 76, .
  • Bailes, F. and Dean, R. (2005), 'Structural Judgements in the Perception of Computer-Generated Music', 2nd International Conference of the Asia Pacific Society for the Cognitive Science of Music (APSCOM), Ewha Womens University, Seoul, Korea.
  • Dean, R., White, G. and Worrall, D. (2004), 'Mind your body. The brain interacts with the body: does it really control?', 10th International Conference on Auditory Display, Sydney, Australia.

Exhibitions

  • 2013, 'Long Time, No See?'
  • 2011, 'Finitude'

Other Publications

  • 2016, 'novelling', Published Work
  • 2015, 'History Goes Everywhere', Recorded Work
  • 2015, 'Scaling the Voices', Published Work
  • 2014, 'The Blue Bus', Recorded Work
  • 2014, 'Motions', Published Work
  • 2014, 'Serial Meantimes', Recorded Work
  • 2013, 'EaRs', Recorded Work
  • 2013, 'Disappearing', Recorded Work
  • 2013, 'Film of Sound', Recorded Work
  • 2012, 'Live music : dead bodies (recorded)', Recorded Work
  • 2012, 'Live music : dead bodies (performance)', Recorded Work
  • 2012, 'Cycles, superimpositions, dualyses', Recorded Work
  • 2012, 'Clay conversations', Recorded Work
  • 2012, 'Multi-piano : Roger Dean 1978-2012', Recorded Work
  • 2011, 'Snowtalking', Recorded Work
  • 2011, 'Toy Language 1', Published Work
  • 2011, 'Clay Conversations 2', Published Work
  • 2011, 'Portfolio: Anthropocene', Published Work
  • 2010, 'Drunken Boat - Instabilities 2', Recorded Work
  • 2010, 'Speaking Straight', Recorded Work
  • 2010, 'Scan: Journal of Media Arts Culture - Clay Conversations', Published Work
  • 2010, 'Dunken Boat - Speak Far and Wide', Published Work
  • 2010, 'Ekleksographia - Hanging Betsy', Recorded Work
  • 2009, 'ProseThetic Memories', Published Work
  • 2008, 'Time, The Magician', Published Work
  • 2008, 'Roger Dean's 91 primes non-octave scale', Published Work
  • 2008, 'Minimal', Published Work
  • 2008, 'Music of the Spirit - Ubasuteyama', Recorded Work
  • 2008, 'Prosethetic Memories', Recorded Work
  • 2008, 'Peace of Molonglo, a place of thunder - Unfenced', Recorded Work
  • 2008, 'Roger Dean's 81 primes non-octave scale', Published Work
  • 2007, 'ABC Radio National', Recorded Work
  • 2007, 'soundAFFECTs, multimedia work, The Material Poem: An Anthology of Text-based Art and Intermedia Writing', Published Work
  • 2007, 'the space of history in The Material Poem: An Anthology of Text-based Art and Intermedia Writing', Published Work
  • 2007, 'Meapsoft Music Showcase', Recorded Work
  • 2007, 'PennSound', Recorded Work
  • 2006, 'Time the Magician', Recorded Work
  • 2006, 'Sonic stones / austraLYSIS electroband', Recorded Work
  • 2006, 'PennSound', Recorded Work
  • 2004, 'How2', Recorded Work
  • 2003, 'The Egg The Cart The Horse The Chicken', Recorded Work
  • 2002, 'InfLect', Recorded Work
  • 2001, 'The Musecal Detective', Published Work
  • 2001, 'Returning the Angles', Recorded Work

Current Projects

Title: Developing a personalised Music Affect Recommender System
Funder:
  • Australian Research Council (ACRG)
  • The University of Waikato
  • Australian Music Centre Ltd
  • APRA AMCOS
Western Researchers: Roger Dean
Years: 2016-01-12 - 2019-01-11
ID: P00022490
Title: The noisy ear; the influence of background noise on day-to-day listening
Funder:
  • German Academic Exchange Service (DAAD)
  • University of Western Sydney
Western Researchers: Roger Dean
Years: 2017-01-01 - 2018-12-31
ID: P00023579

Previous Projects

Title: Towards efficient real-time generation of detectable musical macrostructure
Funder:
  • Australian Research Council (ACRG)
Western Researchers: Roger Dean
Years: 2007-07-01 - 2007-12-31
ID: P0015764
Title: Computational analysis of music cognitive and structural data
Funder:
  • University of Canberra
Western Researchers: Roger Dean
Years: 2008-01-01 - 2009-12-31
ID: P0016017
Title: Professorial Chair: Professor Roger Dean
Funder:
  • University of Western Sydney
Western Researchers: Roger Dean
Years: 2006-11-03 - 2016-11-04
ID: P0015381
Title: Temporal segmentation, leadership and cognition in musical improvisation and creativity
Funder:
  • Australian Research Council (ACRG)
Western Researchers: Roger Dean
Years: 2008-03-30 - 2012-03-29
ID: P0015541
Title: Dynamic Auditory-Visual Humans
Funder:
  • University of Western Sydney
Western Researchers: Christopher Davis, Denis Burnham, Catherine Best, Roger Dean, Kate Stevens, Jeesun Kim, Christian Kroos, Michael Tyler and Connie So
Years: 2007-08-06 - 2008-12-31
ID: P0015758
Title: Performance Practice in New Interfaces for Realtime Electronic Music Performance
Funder:
  • Australian Research Council (ACRG)
  • Australian Music Centre Ltd
  • Infusion Systems Limited
  • Thumtronics Ltd
  • Thumtronics
  • Electronic Music Foundation
Western Researchers: Garth Paine, Roger Dean and Kate Stevens
Years: 2006-12-29 - 2010-07-31
ID: P0014741
Title: See Hear! Multimodal Recording and Analysis Facility
Funder:
  • Australian Research Council (Other Research Grants)
  • University of Western Sydney
  • University of Western Sydney
  • Australian Choreographic Centre
  • Uni NSW Univ of Syd and Univ of Canberra
Western Researchers: Kate Stevens, Roger Dean, Denis Burnham, Garth Paine and Catherine Best
Years: 2006-05-09 - 2011-12-31
ID: P0014825
Title: The Australian Music Navigator: research infrastructure for discovering, accessing and analysing Australia's musical landscape
Funder:
  • University of Western Sydney
  • Edith Cowan University
  • Australian Music Centre Ltd
  • Australian Research Council (Other Research Grants)
Western Researchers: Roger Dean
Years: 2009-01-20 - 2010-01-19
ID: P00016188
Title: Loudness moves! Roles of changing acoustic intensity in the perception of music
Funder:
  • Australian Research Council (ACRG)
Western Researchers: Roger Dean and Kate Stevens
Years: 2012-07-01 - 2017-12-31
ID: P00020122
Title: Information Flow and the Generation and Perception of Musical Form and Expression
Funder:
  • University of Western Sydney
Western Researchers: Roger Dean
Years: 2011-11-09 - 2013-06-30
ID: P00020493

Supervision

Professor Dean is available to be a principal supervisor for doctoral projects

Current Supervision

Thesis Title: The Attribution of Agency to Sound Influences Associated Motor Activity, Synchronisation and Affiliation
Field of Research:

Previous Supervision

Thesis Title: The Use of Musical Imagery and Auditory Feedback During Expressive Music Performance: Exploring the Effects of Expertise
Field of Research: Society And Culture

Western Sydney University

Locked Bag 1797
Penrith NSW 2751

Tel: +61 2 9852 5222

ABN 53 014 069 881
CRICOS Provider No: 00917k

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